Newsletter | August 9, 2005

FASHIONABLE FLEECE
So I have a daunting task ahead of me: convincing you that fleece is 'in' for fall. While most are skeptical, myself included, that the cuddly material should be allowed to get up off the couch, the designers for Prairie Underground are making a rather convincing argument. Launched out of Seattle last year, the enterprising female pair sought to take the prairie skirt notion a little farther by introducing fleece pants and other comfortable, yet still street-suitable garb. The Bloomer, for instance, is a "contemporary interpretation" of, well, bloomers. "Think Boy George pre Color By Numbers era, with a much lower rise." The Moccasin pant fits in the hips like designer denim, sans seams, but with all the detail and volume below the knee: pin tucks, an asymmetrical seam and it's all organic cotton. This Fall, with L.A. stores doubling their orders, Prairie Underground—and us–-are especially excited about the Prairie Hoodie, an elegantly disheveled, extra long alternative to your favorite one. It looks great on the street and, of course, back on the couch. Hey, it worked for Uggs! Go to prairieunderground.com for store locations.

FANCY FEET
Futuristic cars aren't the only things cruising the pavement ahead of their time. Nicholas Kirkwood's ultramodern bespoke shoes are breaking stride, and Jane Jetson, size 8 by the way, would be proud. Finding traditional stilettos "a bit dated," the London-based shoe maker and designer's debut Spring/Summer 2005 collection featured custom-made kicks that were so avant-garde, we wondered if they shouldn't instead be displayed in an art gallery than on the street. Fiery colored stilettos were ablaze with wooden heels and bizarre wrap-around leather designs that looked a bit like wings, couture ones of course. And in case it'll ever come in handy, each shoe was equipped with a spike extending from the back of its already dangerously high heel? You know, to ward off any galactic nuisances that may come your way. Kirkwood's Autumn/Winter 2005-2006 line outfits another era, taking it down a level or, um, dimension. Most of the shoes are classically round-toed and unexpectedly elegant, though his signature unco nventional silhouettes are still present, tailored with facets from this world like buckles and fur-lined rims. He went for the sex appeal of the vertiginous without the tart. In a Maud Frizon feel, black, white and royal purple leather and suede Mary Janes fuse retro unpredictability with the mid-century inspired, period-precision of the season. Oh yes, and higher heels. So whether you're strolling the catwalk or the cosmos, Kirkwood has provided transportation with personality. Visit nicholaskirkwood.com.
INDUSTRIAL CHIC
Apparently a small budget and a big idea can still get you somewhere these days. That's the concept behind London's Dover Street Market. The mind behind the concept? Rei Kawakubu, the legendary creator and designer of Comme des Garçons was inspired by memories of the legendary Kensington Market (which closed early last year), a shabby, rambling indoor fashion bazaar that showcased young designers and launched the careers of stars like Alexander McQueen. In a venture to create "an ongoing atmosphere of beautiful chaos," Kawakubu chose over a dozen artists and designers with unique visions, brining them together and leaving them to develop their spaces as they saw fit. Essentially, she "turned the notion of luxury fashion on its head." The stalls include a vintage shop by Cameron Silver of Decades in LA, the Lanvin collection by Alber Elbaz, East London hipsters Boudicca, photographer Bruce Weber and jewelry designer Judy Blame. Raf Simons' archives collection is on sale, there are shoes b y Terry de Havilland and a boudoir boutique by Bouddica. Even the basement is made useful, housing Undercover, a collection of Comme des Garçons trousers with 'Dover Street' inscribed across the backside. And John Galliano has recently been added to the third floor. But the DSM is far from your typical street market or shopping mall. The 13,000-square-foot, six-floor space is wildly decorated with freestanding pieces that reflect a "vintage-meets-salvage aesthetic." Bare walls, galvanized steel beams and floors offset chandeliers and velvet-lined fiberboard display cubes. The cash registers are hidden in huts made from metal and scrap wood, but more eccentric are the skulls and taxidermy specimens exhibited and also for sale. Though a few Londoners have disregarded the DSM as a "pretentious homage to design" and "an overpriced high-street shop," most appreciate its original, avant-garde approach to fashion. "It's almost like a museum or a dress-up box!" If you're not exactly local, visit doverstreetmarket.com for a preview.
VELLE
Why browse a myriad of magazines and websites for the scoop on your favorite media vices when you can get it all and more at the press of a button? Or a computer key in this case. Velle, a new online publication, is quickly becoming our favorite source for the most up-to-date endeavors in international fashion, design, art, literature and music. Balancing insightful journalism with a compelling layout, Velle presents both established and emerging talent in contemporary culture with a unique perspective. The co-founder and editor-in-chief, Leonard Greco, is a promising photographer and artist himself. Though August would technically be their third issue, the design-driven individuals behind this creative venture decided to upgrade and evolve already. Their new edition, entitled Velle Now, is unveiled this month. They promise you'll either love or hate their new look, and we'll bet on the former. They've introduced the Velle Index, an extensive compilation of past material and catalog of artists in all cul tural genres. In addition, features include a portfolio from ironic/iconic photographer Felix Larher, an interview with Antony of the art-cabaret musical ensemble, Antony and The Johnsons, and a wicked cool fashion spread showcasing the collection of Claudia Rosa Lukas. Velle's game plan is to publish their archived material in a book, become filthy rich and launch their career as pop stars. Ok, they're kidding; check out vellemagazine.com and subscribe!


LUXE FOR LIFE
Poetic isn't quite the word I would typically use to describe getting a wax, especially when I'm attempting it at home. But Bliss' new Poetic Cosmetic Waxing Kit is the first ever safe and effective, low-temperature, aromatherapy-based hair removal system, and makes the experience surprisingly bearable. Infused with soothing essential oils, the kit is simple and suitable to use on your face, arms, legs and that summer no-no bikini line. A pre-waxing lotion prevents the wax from sticking to your skin and shrink-wraps hair to pull it right out from the root. It's even colorful so you see it grasping the stiff or stubborn hair that other waxes miss. So save time and money and whisk away those whiskers yourself. For $40, the kit includes an enamel mug of Poetic Cosmetic Wax, a gentle skin cleanser, a gentle waxing lotion, large and small spatulas, and instructions as painless as the wax itself. Visit blissworld.com.
 
 


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